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Another Buck Rogers matte shot
Posted on June 16th, 2009 No commentsHere is another of Syd Dutton’s terrific Buck Rogers matte paintings. Syd again used the original negative / latent image compositing technique.
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More Buck Rogers matte shots
Posted on May 22nd, 2009 No commentsPeter Noble mentioned this matte shot of Buck and Wilma on the walkway.This is again the fine work of Syd Dutton. Syd told me that he ran the matte split through the guard at the left side of the walk. The guard is partially painted and partially real.
This location is the Bonaventure Hotel in Los Angeles.
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Matte painting masters
Posted on May 21st, 2009 No commentsMatte painting has been a love of mine for years. As a high school student I would look at the California skies and fantasize what steps I would have to take to render them out in paint. My early dinosaur stop motion experiments often had painted back grounds or elements in the shot. Over the years I have gathered a few fun matte shots that I can share.
This is a painting by Syd Dutton for Buck Rogers in the 25th Century (1979). It was shot at an existing demolition site and employed the “original negative” compositing technique. This means that the live action was photographed with a masked off (the matte), unexposed section of the frame. This film was not developed immediately, but was returned to the studio where Syd painted the ruins and sky to fit into the unexposed section of the scene. The negative was run through the camera again and the painting was finally exposed onto the original negative of the live action then developed.
This provided first generation quality matte painting composites.
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