Phil Kellison makes forced perspective easier

Phil Kellison was one of the unsung greats in the visual effects business. He was a visual effects supervisor and designer long before that position was acknowledged in movie credits. He had an almost 40-year career that ranged from the George Pal Puppetoons to industrial films, commercials, and feature films. He had that unusual aptitude of being both the right-brained artist and the left-brained engineer.

Phil was the supervisor and boss at Cascade Picture of California when I began working there in 1969-70. I learned a lot by watching and listening to him. Phil loved the challenge of doing visual effects in-camera and his specialty was forced perspective (more correctly known now as “mixed scale”.) To market the technique to the T.V. commercial business, he dubbed it “Magnascope”.

The Jolly Rancher as seen through the camera.

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Restoring Terry’s figure with Vis Efx

Terry Farrell’s contract was up on DS-9 and she was leaving the show. The story going around was that she did not wish to leave but the producers would not grant her contract requests. As the visual effects supervisor, I was on the DS-9 set to oversee the effects needed for her last scenes on the series. Terry was not very happy and was giving tearful goodbye hugs to her production crewmates.

I have seen actors who were really obnoxious and uncooperative when they didn’t get what they wanted so I was watching Terry with interest as the day unfolded. For every shot when called, she dried her tears, went on set, became her character, Dax, and delivered the best performances she could. She did not give an attitude, whine or make excuses. She did her job.

To give Terry an exit from the series, the DS-9 writers had bad boy Gul Dukat kill Jadzia Dax in the episode called ‘Tears of the Prophets’. Dukat, possessed by the Pah-wraiths, uses an energy force to lift Dax off the ground then kill her.

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Qualityville stop motion

In keeping with the last posting, this is also from a stop motion commercial. It was for a Qualityville Products TV spot created at Cascade Pictures in about 1970.

Cascade Pictures was a major provider of visual effects, stop motion and cartoon animation for commercials for (I believe) the late 1950s through the mid 1970s. 

I was fortunate enough to work there and get a terrific real world visual effects education.

Ogg and the Pink Baby Dinosaur

This is a frame from the first commercial I was paid to work on; my first professional job in 1969 at Cascade Pictures. This is from a Kellogg’s Cocoa Krispies cereal commercial featuring a caveman named Ogg. (His wife was “Kell” … for Kell-Oggs.)  These characters were used until about 1975.  (see link below)

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“The Magic Treasure”

“The Magic Treasure” is one of those obscure little films that few have heard about and even less has seen. It was conceived in about 1969-70 by David Allen as a stop motion production of “The Selfish Giant” by Oscar Wilde. Through 1970 and 1971 dialog was recorded, sets and puppets were constructed and production began shooting in October, 1971. Part way through production a cartoon version of “the Selfish Giant” was released.

David Allen with puppets of the Giant and the villagers.

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